During its lifetime a rug is traded, bought, possibly resold, used over decades by various people, layering the piece with another history of usage. Foot worn carpets are witnesses of their past. One cannot simply copy them. Wear and tear, the 'Design of Time' of the rug are the basis for the artwork. Here the aesthetics are to be understood as a state of the art that cannot be produced intentionally. Such surfaces develop slowly and on their own - through human interaction and use. Noemi is a material fetishist and let’s collide the grown with the made. She loads banal substances and materials that feel distant to art with a new meaning. The piece is an art-piece from a body of work, where the artist deliberately uses old, worn-out, sometimes damaged rugs. This is her concept. The design of time is visible.
