The title of these pieces refers to repetition as a constructive principle — the way a minimal form can multiply and generate rhythm, sequence, and permanence. Each piece reiterates the same canon over and over: a geometric pattern, somewhere between column, totem, and signal, functioning as a luminous architecture.
In this series, light once again becomes the center of investigation, but approached from a more structural and architectural perspective. Conceived as modular bodies, the pieces explore the tension between industrial geometry and the organic vibration of matter. Light travels through their interior, revealing an incandescent axis that transforms the static volume into an active form, as if the inner energy had found a way to materialize.
In choosing the amber tone of the series, we wanted to evoke the memory of fossil resin or incandescent mineral — a matter suspended in time, the memory of a flame that no longer burns, a quality both warm and dense.
